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Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Thursday, December 23, 2010

Iban Agressive Expansion (part 3)

By Stephanie Morgan




 The more traditional, more lasting process of aggressive expansion up into the Rejang and Balleh was rather curiously accelerated by the Brooke regime, whose avowed interest was to keep the Ibans close at hand. Migration was under way well before the English, intending to control the pirate raids, built their forts in the Iban rivers; but the resulting official divisions into downriver and upriver groups gave a new impetus to population movements. As some Iban groups had co-operated for mutual benefit with Malays, so the same groups came to co-operate with the English. “Only Dayaks can attack Dayaks to make them feel in any way a punishment” said the Rajah Charles Brooke, and he made great use of Iban levies, conveniently costless: they came gladly, arranging if possible attacks on their own enemies, or taking advantage of the government’s.

The great Kayan expedition of 1863, while it thoroughly revenged the murder of Fox and Steele, in the process so completely broke the power of this other expansionist group that they never again resisted Iban migration into the Rejang.5 This went so far that some non-Iban interior tribes concluded that invading Ibans were always working for the Government. The rebellious pioneers took heads and raided; and after them came the equally deadly allies with official blessing, taking heads and burning longhouses, punishing them in the way most familiar to both. The inevitable result was that the upriver and downriver Ibans retained and practiced their ideology of aggression; and those upriver, who had most opportunity to migrate away and were most often raided to punish them for trying to do so, migrated even farther to be out of reach.

Both these aspects of Iban expansion and aggression in the nineteenth century – piracy, and movement to the north and east – were affected by outside pressures that suggested their form and direction; but it seems clear that neither Malays nor English had any real control over the wellsprings, the pace or the ultimate expression of Iban activity. The rare efforts to counteract this cultural drive (as with settlement in the Balleh) met with no more permanent success than did, in the long run, attempts to direct the urge for the formal rulers’ benefit. It is clear that in the matter of aggressive expansion Iban culture, while superficially highly adaptable, had a fundamental resistance to being changed.

*to be continues...

Source= Tangsang Kenyalang

Tuesday, November 30, 2010

Myth and History – Early Migrations and the Origins of Iban Culture

In ancient times, when the island of Borneo was still only sparsely inhabited, those who dwelled there lived in fear of many kinds of demons, dwarfs and spirits. These beings might either look after men or else punish them with death if they broke taboos.

As spirits (antu) were everywhere, men had to be very careful in what they said and did. They could not speak arrogantly when they fished the river or hunted the forests. If they did so, boasting that they could easily obtained fish or game, their efforts would come to nothing. Similarly, an individual was strictly forbidden to mock other living things; if he did so, the spirit would destroy him with kudi, a violent supernatural storm in which a culprit and all his belongings were turned to stone (batu kudi). Houses and human beings believed to have been petrified in the past can still be seen in many places in Sarawak.

Migration from Kapuas River mouth upriver: Where the Ibans meet the Arab Traders.

In these very early times, because of the presence of spirits all around them, settlers in Borneo frequently discussed the nature and dwelling place of the gods and spirits, to find the best way to worship and pay respect to them. The Muslim missionaries had already started to arrive to trade and spread their Islamic teachings to this part of the country. They had already established their foothold in the islands of Sumatra and Java and gradually weakened the Hindu Majapahit Empire. It was at about this time, at a place called Ketapang in Northwest Kalimantan, there lived a very famous Iban ancestor named Bejie. The Muslim missionaries had frequently spoken of the almighty god named Allah whose abode is high in the sky. The people began to believe that this god is living above all other deities of this world. On hearing this, Bejie thought of an idea to visit the almighty Allah in the sky to ask god personally about the best way for his people to worship and pay respect to god. He called for a large meeting of his people to discuss the construction of a stairway, on the tallest enchepong tree in the country, to reach heaven. They all agreed to his proposal hoping that they could reach god’s house in heaven.

The ladder was constructed from ironwood (belian) trunk. The base of the ladder was planted at the base of the enchepong tree branches to reach the next branch. Eventually, after some years, the top of the ladder stood above the cloud. As Bejie and his men, all dressed up to visit almighty Allah in the sky, made a final climb to heaven. As they proceed up the ladder, the enchepong tree unfortunately gave way due to the sheer weight of the ironwood ladder. Its root had been rotten and eaten away by termites throughout the construction period. As the ladder collapsed, Bejie and his followers fell headlong to the earth. The ladders landed on various rivers throughout the west-central Borneo. Any ironwood trunk which may be found inside many rivers, are known as “Tangga Bejie”, and it is a taboo to use it to construct any part of the longhouse as it would bring bad omen to the house owner.

Before the construction of the ladder, Bejie had assigned his brother named Bada to lead his people. Bejie had also begot a son named Nisi whose praised name was “Bunga besi enda semaia makai tulang”. Nisi begot a son named Antu Berembayan Bulu Niti Berang who was the father of Telichu, Telichai and Ragam. Ragam was the mother of Manang Jarai (or Manang Tuai – the first Iban shaman).

After the death of Bejie, their people moved to Kayung. There were other Iban along the coast at the time, especially at Trusan Tanjong Bakong and in general around the mouth of Kapuas River. After Bejie’s descendant had settled there for quite sometime, Arab traders arrived in large sailing ship from Jeddah. They do barter trade with the Ibans exchanging clothes and spices for rice and jungle products. This was the first time the Iban had ever seen woven clothes. Before then, they had only lion clothes and skirts made from barks of trees.

As more Arab traders and Muslim missionary came to trade with the Ibans, many Ibans were converted to this new faith. Soon, divisions began to appear among the Iban leaders between those who adopted the Muslim faith and those who still followed traditional beliefs. Those who chose to follow traditional ways of life began to separate themselves and moved up river in large number. Those who were prepared to accept Islamic teachings, stayed at Kayung. They began to call themselves the Malay of Pontianak, Sampit, Kayung, Sukadana and Sambas. In time, they began to marry new Malays who had come to trade in Kalimantan, especially the traders from Minangkabau in Sumatra.

Due to the tolerances of the Iban people, no reported incidents were recorded in their songs with regards to this manner of separation or with Muslims in particular. This tolerance has been the major factor that contributes to the prosperity and harmony of the Iban people living together with other people of different races and religions to this present day. Infact, the Ibans thrive well under this circumstance because they are hardworking people, a tribute found in the pioneering spirits of their ancestors. Only those who were crazy for power and wealth brought major conflict to this country, not the tolerant and resilient Ibans.

The Ibans then moved further up the Kayung until they reached a place called Ulu Landak. After settling there for sometimes, some of them migrated up the Melawi River. After settling along the banks of Melawi River for three generations, their leaders, Raja Ningkan, Sagan-Agan, Bedali and Jugah called for a large meeting to discuss further migrations. They agreed to migrate and separate from their relatives, and they built many large boats with the help of those who wished to remain behind. It is also to be noted that all the material wealth or properties that the Iban people value today is the same as that which was valued by the people of Malawi in the past, especially the old Chinese jars and brasswares.

From Melawi, they separated and moved to the Sintang River where the passed a large areas of farmland. They looked for the owner of the farmland and were told that the farmland owner had moved to Pontianak and that they could farm there that year only as the informer could not guarantee that the owner would not return to reclaim the land. They started to plant padi that year and had a bountiful harvest. After the harvest, they left the area to live at the mouth of Sintang River for one year.

From Nanga Sintang, the Iban went up the Kapuas where they meet other people. They found that not many people had settled along the right bank of the Kapuas River, as majority of them preferred to live along the more fertile land of the left bank. From the main Kapuas River, they went up the Sakayam tributary. From the mouth of this river, all lands on both banks are owned by the Mualang Dayaks. It took them two full days to reach the first Mualang Dayak Longhouse from its mouth. They stayed only a few nights in the Mualang Dayak Longhouse.

In their conversation with the Mualangs, Jugah and Bedali told the Mualangs the story of their movements since they left the Kayung settlement. They told the Mualangs that they had separated from their relatives who had been converted to Muslims by the Arab missionaries to avoid conflict and religious persecution. They told them that they had lived in the Melawi and had migrated down the Sintang River to look for new lands in which to settle. They asked the Mualangs whether they might give them land to live on. The Mualangs told them that although there was still a lot of virgin forest on both banks of the Sakayam, as the Iban had seen, all the land belongs along both banks had been claimed by them from its mouth up to the settlement they had reached.

The Mualang further told the Iban that all the lands above their settlement belonged to the Chengkang Dayaks, and then further up to Balai Kerangan, the land belonged to the Sebaru Dayaks. All land beyond that belonged to the Remun Dayaks.

The Iban told the Mualang that they did not want to migrate further and wished to settle alongside the Mualang there. The Mualang agree only if the Iban agreed to live in the same longhouse with them. The Iban finally agreed to live in the same longhouse with the Mualang. They lived many years with them, and a great number of them intermarried, becoming Mualang.

After the Iban had greatly multiplied; they separated from the Mualang and moved to the Sanggau River. Here they lived much closed to the Bugau Dayaks. After some years of staying there, the moved to Semitau under their chiefs, Raja Ningkan, Jenua, Jugah, Rawing, Jimbun, Sagan-Agan and Jengkuan. All these chiefs were brave men. Due to their bravery and aggressiveness, all other Dayaks were afraid of them.


*source Tansang Kenyalang

Thursday, November 18, 2010

Borneoheadhunters Tattoo Studio

The first tattoo studio in Malaysia that provides world class and professional standard tattooing service, was founded in Kuching Sarawak in 1998. Borneo Headhunters Tattoo and Piercing Studio aims to promote the rich traditional art form of tattooing which has been an integral part of the Iban community for centuries. Tattoos played a very significant role in the lives of Ibans back then. Tattoos connected the living to the spiritual world and they were used to mark men's success in headhunting. For the womenfolk, their prowess in weaving and dancing was rewarded with befitting tattoos. Tattoos also helped ward off evil and disease. Ever since its conception, the studio has achieved many firsts for its founder, Ernesto Kalum. Its list of achievements and awards are listed below.

Achievements
1. Tattooing since 1992(bootleg); then professionally since 1998.
2. Invited to do a guest spot in England for a year in 1998 at one of the top tattoo studios in England.
3. Invited in 1999 to one of the most prestigious tattoo conventions in the world in Lausanne, Switzerland.
4. Organised an International Tattoo Convention in homeground Sarawak for the first time ever in South East Asia in May 2002 - "The 1st International Borneo Tattoo Convention, 1-5th May 2002".
5. Entered into the Sarawak Book of Records.
6. Won two H.R. Giger Awards for the Best Tribal Tattoo Category and Respect to the Culture Award in Lausanne, Switzerland in October 2001.
7. Being featured in National Geographic television as a subject in tattooing culture in the series "Taboo" in February 2003 and other television channels from countries such as Canada, England, France, German, Netherlands, Switzerland and USA.
8. Featured in the French magazine "Illustre" (Titled "Les Tatoueures De Borneo", Issue: No.43, 24th October 2001) and other magazines such as Malaysian Tatler and Tattoo Magazines.
9. Chosen as the tattoo and design advisor for The New Line Cinema film production "Sleeping Dictionary", directed by Guy Jenkins and starring Jessica Alba and Hugh Dancy.
10. Produced and managed Jerry Kamit's album "Semampai Sayau... Flora". On the 27th of March 2004, Jerry was awarded with two Honorable Awards at the Iban Music Awards (AJJAR) for the Most Popular Song and Best Vocal.

Awards
1.
1999 The 3rd Best of the Day during The 5th International Lausanne Tattoo Convention in Lausanne, Switzerland.
2.
1999
Respect Prize during The 5th International Lausanne Tattoo Convention in Lausanne, Switzerland.
3.
2001
Best Tribal 1st Prize during The 1st Annual Massachusetts Tattoo Festival in Boston, Massachusetts, U.S.A.
4.
2001
Best Tribal 2nd Prize during The 1st Annual Massachusetts Tattoo Festival in Boston, Massachusetts, U.S.A.
5.
2002
H.R.Giger Award 1st Prize during The 6th Lausanne International Tattoo Show in Lausanne, Switzerland.
6.
2002
H.R.Giger Award for the Respect to the Culture during The 6th Lausanne International Tattoo Show in Lausanne, Switzerland.
7.
2002
Best Celtic/Tribal 1st Prize during the Northern Ink Exposure in Toronto, Canada.
8.
2002
Best Celtic/Tribal 2nd Prize during the Northern Ink Exposure in Toronto, Canada.
9.
2002
Best Tribal 1st Prize during the Tattoo The Earth in Chicago, Illinois, U.S.A.
10.
2002
Best Tribal 2nd Prize during the Tattoo The Earth in Chicago, Illinois, U.S.A.
11.
2002
Best Tribal 2nd Prize during the Tattoo The Earth in Oakland, California, U.S.A.
12.
2002
Best Tribal 1st Prize during the Atlanta Tattoo Fest in Atlanta, Georgia, U.S.A.
13.
2002
Best Traditional 1st Prize during the Northern Ink Exposure in Toronto, Canada.
14.
2002
Best Traditional 2nd Prize during the Northern Ink Exposure in Toronto, Canada.

Monday, December 14, 2009

Iban - Religion and Expressive Culture

Religious Beliefs. Religious beliefs and behavior pervade every part of Iban life. In their interpretations of their world, nature, and society, they refer to remote creator gods, who brought the elements and a structured order into existence; the bird-god Sengalang Burong, who directs their lives through messages borne by his seven sons-in-law; and the popular gods, who provide models for living. Iban religion is a product of a holistic approach to life, in which attention is paid to all events in the waking and sleeping states. The religion involves an all-embracing causality, born of the Iban conviction that "nothing happens without cause." The pervasiveness of their religion has sensitized them to every part of their world and created an elaborate otherworld (Sebayan), in which everything is vested with the potential for sensate thought and action. In Iban beliefs and narratives trees talk, crotons walk, macaques become incubi, jars moan for lack of attention, and the sex of the human fetus is determined by a cricket, the metamorphized form of a god.

Though the gods live in Panggau Libau, a remote and godly realm, they are unseen, ubiquitous presences. In contrast to the exclusive categories of Judaism and Christianity, "supernaturals" and "mortals" interact in all activities of importance. In contrast to the gods who are more benevolently inclined towards mortals, Iban believe in and fear a host of malevolent spirits. These spirits are patent projections onto a cosmic screen of anxieties and stresses suffered by Iban: the menacing father figure, the vengeful mother, the freeloader, and becoming lost in the forest. Iban strive to maintain good life and health by adherence to customary laws, avoidance of taboos, and the presentation of offerings and animal sacrifices.

Religious Practitioners. There are three religious practitioners: the bard ( lemambang ), the augur ( tuai burong ), and the shaman ( manang ). Individually or in teams, bards are invited to chant at all major rituals. They are highly respected men, capable of recalling and adapting, as appropriate, chants that go on for hours. The augur is employed for critical activities such as farming or traveling. The shaman is a psychotherapist who is consulted for unusual or persistent ailments.

Ceremonies. Iban rituals ( gawa, gawai ) may be grouped into four major categories: (1) one dozen major and three dozen minor agricultural festivals; (2) healing rituals, performed by the shaman, commencing in the bilik and progressing to the outer veranda; (3) ceremonies for the courageous, commemorating warfare and headhunting; and (4) rituals for the dead. Iban of all divisions perform rituals of the first two categories. Ceremonies to honor warriors have assumed greater importance in the upper Rejang, and rituals for the dead have been much more elaborated in the First and Second divisions of Sarawak.


Arts. The Iban have created one of the most extensive bodies of folklore in human history, including more than one dozen types of epic, myth, and chant. Women weave intricate fabrics and men produce a variety of wood-carvings.


Medicine. Though they have a limited ethnopharmacology, Iban have developed an elaborate series of psychotherapeutic rituals.


Death and Afterlife. Life and health are dependent upon the condition of the soul ( samengat ). Some illnesses are attributed to the wandering of one of an Iban's seven souls, and the shaman undertakes a magical flight to retrieve and return the patient's soul. Boundaries between life and death are vague, and at death the soul must be informed by a shaman that it must move on to Sebayan. Crossing "The Bridge of Anxiety," the soul is treated to all imaginable pleasures, many of which are proscribed for the living. After an undetermined period of revelry, the soul is transformed into spirit, then into dew, in which form it reenters the realm of the living by nourishing the growing rice. As rice is ingested, the cycle of the soul is completed by its return to human form. Gawai Antu, the Festival of the Dead, may be held from a few years to 50 years after the death of a member of the community. The main part of the festival occurs over a three-day period, but takes months or even years to plan. The primary purpose of the festival is to honor all the community's dead, who are invited to join in the ritual acts. The festival dramatizes the dependence of the living and dead upon each other.

Saturday, February 14, 2009

Dayak of Indonesian Borneo

Dayak of Indonesian Borneo


 Focus of traditional culture
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In the pre-colonial time, the Ngaju in the catchment area of the Kahayan, were more open to technological and cultural influences from outside than most other Dayak. With the arrival of the Dutch and - in 1835 - the missionary Rheinische Mission (later followed up by the Basler Mission, many converted to christianity. The missionaries founded very good schools, so that the christianized areas nowadays have a lot illiteracy rate. Education stimulated a 'national awakening' among the Ngaju and Ma'anyan Dayak. This development was even more encouraged by the Dutch rule, aimed at the ban of islam from the inlands. Already long before the Second World War, the Dayak founded (nationalistic) political parties. During the Indonesian battle for independence against the Dutch, the Dayak from KalTeng fought under major Tjilik Riwut, a Ngaju Dayak which practiced the traditional religion. After the proclamation of independence, Jakarta decided that the islamic Banjarmasin and mostly Dayak area west of it, should be one province. The plan got resistance from the Dayak - the Ngaju in front - which demanded a sole province. Under Riwut, which had become big during the revolution, the Dayak began a small guerrilla. The Indonesian army limited escalation of the conflict, probably because Riwut had been a loyal soldier. In 1957, the province of KalTeng was officially formed by Presidential Law. The government was lead by the Ngaju, and Rawit became governor. The 'battle' was about a sole province, together with a revaluation of the traditional Dayak culture, especially the religious part - a reaction on the worsening missionaries. The traditional religions of the Ngaju, Ot Danum, Ma'anyan and other Dayak was named kaharingan ('power of life'). After the communist party was declared illegal in the 1960's, the subject 'religion' became very sensitive. The state ideology saw religion as believe in one God and the membership ow a 'acknowledged' world religion with a holy book. The Dayak were seen as 'atheists' (a synonymous for communist) and had the choice: converting to a world religion or being pressured by local authorities to do so. With this in your mind, it's fairly clear why the missions (with their schools, hospitals and lighter pression) had much more success after the 1960's. Different than in the 17th and 18th century, christianity offered more possibilities for social progress than islam. Over time the ban on local religions was abandoned. In 1980, kaharingan was officially recognised as religion, but only as a part of the Hindu Dharma, so in fact it was placed under hinduism. In KalTeng, a small minority does practice this religion. The carnival in the Jungle In the religion of the Ngaju, the supernatural world is important, in which also the souls of ancestors have their place. Just like among other Dayak, the Ngaju known ritual re-burial, which usually takes place several months (sometimes several years) after the initial burial. This re-burial is very important for the soul of the deceased, so it can reach the highest point in heaven. With practicing the rytes, they protect themselves against bad supernatural powers. The first funeral takes place just after someone has died. During this ceremony, masked dancers protect the deceased against the bad spirits. Guided by drums, the kaharingan-priests start singing, which will send the soul to heaven. On it's journey in the traditional ship of souls it is accompanied by spirits. Once in heaven, which consists of several 'layers', the soul has to wait in the lowest layer until the re-burial takes place.
Image Sandung
During this second ritual (tiwah), the remainders of the deceased are excavated, cleaned and put in a special grave. These woodcarved and decorated graves often have the shape of a bird or watersnake and are decorated with images of the hereafter. Too bad sandung from the factory replace the traditional tombes. The tiwah is a big, complex and long lasting event. The cost vary between US$6,000 and US$12,000. It's common that several families hold a tiwah together, so they can spread the cost of sacrificed animals like a big number of waterbuffalo's and pigs. Once there were more than 200 souls brought to a higher level in one ceremony. But a tiwah also is a happy event. In the open air, foodstalls and shops are put up, and at some distance, there is also some gambling. The tiwah is the carnival of the jungle. Adaptions Sandung made of concrete are not the only changes in the kaharingan religion. To make the religion acceptable for the government a council was set up, which had to control the theological and ritual activities of the about 330,000 supporters. None of the about 78 basir upu (top specialists about rites) are part of the council and also the about threehundred kaharingan priests are not in there as well. The council reflects aspects of the religion which are also known in other big religions. It also organises weekly meetings in specially built kaharingan-communal rooms, complete with speeches, prayers and psalms. Furthermore, the council registrates and coordinates all tiwah (there are two to ten every year), before giving an advice to the police, which can eventually give a permit.