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Tuesday, November 30, 2010

Myth and History – Early Migrations and the Origins of Iban Culture

In ancient times, when the island of Borneo was still only sparsely inhabited, those who dwelled there lived in fear of many kinds of demons, dwarfs and spirits. These beings might either look after men or else punish them with death if they broke taboos.

As spirits (antu) were everywhere, men had to be very careful in what they said and did. They could not speak arrogantly when they fished the river or hunted the forests. If they did so, boasting that they could easily obtained fish or game, their efforts would come to nothing. Similarly, an individual was strictly forbidden to mock other living things; if he did so, the spirit would destroy him with kudi, a violent supernatural storm in which a culprit and all his belongings were turned to stone (batu kudi). Houses and human beings believed to have been petrified in the past can still be seen in many places in Sarawak.

Migration from Kapuas River mouth upriver: Where the Ibans meet the Arab Traders.

In these very early times, because of the presence of spirits all around them, settlers in Borneo frequently discussed the nature and dwelling place of the gods and spirits, to find the best way to worship and pay respect to them. The Muslim missionaries had already started to arrive to trade and spread their Islamic teachings to this part of the country. They had already established their foothold in the islands of Sumatra and Java and gradually weakened the Hindu Majapahit Empire. It was at about this time, at a place called Ketapang in Northwest Kalimantan, there lived a very famous Iban ancestor named Bejie. The Muslim missionaries had frequently spoken of the almighty god named Allah whose abode is high in the sky. The people began to believe that this god is living above all other deities of this world. On hearing this, Bejie thought of an idea to visit the almighty Allah in the sky to ask god personally about the best way for his people to worship and pay respect to god. He called for a large meeting of his people to discuss the construction of a stairway, on the tallest enchepong tree in the country, to reach heaven. They all agreed to his proposal hoping that they could reach god’s house in heaven.

The ladder was constructed from ironwood (belian) trunk. The base of the ladder was planted at the base of the enchepong tree branches to reach the next branch. Eventually, after some years, the top of the ladder stood above the cloud. As Bejie and his men, all dressed up to visit almighty Allah in the sky, made a final climb to heaven. As they proceed up the ladder, the enchepong tree unfortunately gave way due to the sheer weight of the ironwood ladder. Its root had been rotten and eaten away by termites throughout the construction period. As the ladder collapsed, Bejie and his followers fell headlong to the earth. The ladders landed on various rivers throughout the west-central Borneo. Any ironwood trunk which may be found inside many rivers, are known as “Tangga Bejie”, and it is a taboo to use it to construct any part of the longhouse as it would bring bad omen to the house owner.

Before the construction of the ladder, Bejie had assigned his brother named Bada to lead his people. Bejie had also begot a son named Nisi whose praised name was “Bunga besi enda semaia makai tulang”. Nisi begot a son named Antu Berembayan Bulu Niti Berang who was the father of Telichu, Telichai and Ragam. Ragam was the mother of Manang Jarai (or Manang Tuai – the first Iban shaman).

After the death of Bejie, their people moved to Kayung. There were other Iban along the coast at the time, especially at Trusan Tanjong Bakong and in general around the mouth of Kapuas River. After Bejie’s descendant had settled there for quite sometime, Arab traders arrived in large sailing ship from Jeddah. They do barter trade with the Ibans exchanging clothes and spices for rice and jungle products. This was the first time the Iban had ever seen woven clothes. Before then, they had only lion clothes and skirts made from barks of trees.

As more Arab traders and Muslim missionary came to trade with the Ibans, many Ibans were converted to this new faith. Soon, divisions began to appear among the Iban leaders between those who adopted the Muslim faith and those who still followed traditional beliefs. Those who chose to follow traditional ways of life began to separate themselves and moved up river in large number. Those who were prepared to accept Islamic teachings, stayed at Kayung. They began to call themselves the Malay of Pontianak, Sampit, Kayung, Sukadana and Sambas. In time, they began to marry new Malays who had come to trade in Kalimantan, especially the traders from Minangkabau in Sumatra.

Due to the tolerances of the Iban people, no reported incidents were recorded in their songs with regards to this manner of separation or with Muslims in particular. This tolerance has been the major factor that contributes to the prosperity and harmony of the Iban people living together with other people of different races and religions to this present day. Infact, the Ibans thrive well under this circumstance because they are hardworking people, a tribute found in the pioneering spirits of their ancestors. Only those who were crazy for power and wealth brought major conflict to this country, not the tolerant and resilient Ibans.

The Ibans then moved further up the Kayung until they reached a place called Ulu Landak. After settling there for sometimes, some of them migrated up the Melawi River. After settling along the banks of Melawi River for three generations, their leaders, Raja Ningkan, Sagan-Agan, Bedali and Jugah called for a large meeting to discuss further migrations. They agreed to migrate and separate from their relatives, and they built many large boats with the help of those who wished to remain behind. It is also to be noted that all the material wealth or properties that the Iban people value today is the same as that which was valued by the people of Malawi in the past, especially the old Chinese jars and brasswares.

From Melawi, they separated and moved to the Sintang River where the passed a large areas of farmland. They looked for the owner of the farmland and were told that the farmland owner had moved to Pontianak and that they could farm there that year only as the informer could not guarantee that the owner would not return to reclaim the land. They started to plant padi that year and had a bountiful harvest. After the harvest, they left the area to live at the mouth of Sintang River for one year.

From Nanga Sintang, the Iban went up the Kapuas where they meet other people. They found that not many people had settled along the right bank of the Kapuas River, as majority of them preferred to live along the more fertile land of the left bank. From the main Kapuas River, they went up the Sakayam tributary. From the mouth of this river, all lands on both banks are owned by the Mualang Dayaks. It took them two full days to reach the first Mualang Dayak Longhouse from its mouth. They stayed only a few nights in the Mualang Dayak Longhouse.

In their conversation with the Mualangs, Jugah and Bedali told the Mualangs the story of their movements since they left the Kayung settlement. They told the Mualangs that they had separated from their relatives who had been converted to Muslims by the Arab missionaries to avoid conflict and religious persecution. They told them that they had lived in the Melawi and had migrated down the Sintang River to look for new lands in which to settle. They asked the Mualangs whether they might give them land to live on. The Mualangs told them that although there was still a lot of virgin forest on both banks of the Sakayam, as the Iban had seen, all the land belongs along both banks had been claimed by them from its mouth up to the settlement they had reached.

The Mualang further told the Iban that all the lands above their settlement belonged to the Chengkang Dayaks, and then further up to Balai Kerangan, the land belonged to the Sebaru Dayaks. All land beyond that belonged to the Remun Dayaks.

The Iban told the Mualang that they did not want to migrate further and wished to settle alongside the Mualang there. The Mualang agree only if the Iban agreed to live in the same longhouse with them. The Iban finally agreed to live in the same longhouse with the Mualang. They lived many years with them, and a great number of them intermarried, becoming Mualang.

After the Iban had greatly multiplied; they separated from the Mualang and moved to the Sanggau River. Here they lived much closed to the Bugau Dayaks. After some years of staying there, the moved to Semitau under their chiefs, Raja Ningkan, Jenua, Jugah, Rawing, Jimbun, Sagan-Agan and Jengkuan. All these chiefs were brave men. Due to their bravery and aggressiveness, all other Dayaks were afraid of them.


*source Tansang Kenyalang

Thursday, November 25, 2010

The Origin and Traditional values of Iban Cock-fighting



Cock-fighting is another type of culture or recreation which is commonly shared by the Ibans. Their interest for this culture originated from the game introduced by Raja Machan who held a cock-fighting bout with Ambong Mungan. The later lost the contest to Raja Machan and decided to go to visit the supernatural being in the sky to look for a fighting cock. In the domain of the God in the Sky, he met with a Supreme God called Raja Petara who gave him a fighting cock with the coloration of “Tuntong Lang Ngindang Terbai, Biring Belangking Pipit Kechuai”. Raja Petara told him that the fighting cock would never be defeated in the contest. With this prized possession given by the Supreme God, Ambong Mungan staged another cock-fighting session against Raja Machan. With such divine help, he won the contest.

There is another story of an Iban man named Kendawa, who went to the underworld in search for a good fighting cock with the coloration of “Biring Gerunggang”. In the underworld, he met with Ensing Jara who is a deity who looks after the soul of the dead fighting cock. He is also known as God of Cockfighting. These tales goes to show that cock fighting is a serious affair to the past Iban man who went through great length in search for a good fighting cock. Furthermore, they also imitated the game where their fable hero Keling, his friends and Gods of war, Sengalang Burong and his party held a cock-fighting contest against their arch enemies, Apai Sabit Bekait and demon Nising or Beduru in the sky.

The Iban believed that all the fighting cock that the supernatural being (Petara and Bunsu Antu) used in the cock-fighting contest, turned into human warriors. That is why cock fighting is closely tied to intangible qualities of human nature, their spiritual fulfillment and their religious refinement. It signifies a man’s chivalry while fighting enemies during war expeditions. As human beings became the fighting cocks of the supernatural being, they bore many different types of coloration (bulu manok), which is believed to reflect the personality profile of each warrior. The Iban believes that every warrior is born with his or her own “god given” fate (tuah diberi Petara) and destiny (nasib). These fate and destiny can only be seen and read from the scales of the fighting-cock’s leg and in its coloration. The scale is unique to individual rooster reflecting the unique fate given by god to individual warrior. That is why an Iban warrior is called “manok sabong” (fighting cock), spiritually sharing and possessing similar properties and characteristic. Thus, through these supernatural being, the Iban learn how to recognize the different type of coloration of the fighting cock and choose their preferred colorations that fit their personality when they became true warrior. With this traditional knowledge, the Iban learn how to recognize the quality and profile of each warrior and the natural element that influence them.

An Iban man is only a true warrior after he has slain an enemy in a battle. A true warrior will declare to God his praise name (ensumbar) and his choice of fighting cock coloration with the blood of his first slain enemy on their hand, which they tapped on their knees, elbows, on top of their head (bubun) and at the tip of their tongue. The declaration is also followed by swearing to God to abide by the rules of engagement handed down for generations. Once the fighting cock coloration has been declared with an enemy blood, the same coloration fighting cock must be used to honour the said warrior when he is invited to grace any major festival of the Iban people. If he needs to change his praise name later in life, he needs to repeat the same process using a fresh blood of his slain enemy.

The Iban warriors adorn beautiful headgear during major festivals or war expedition. These headgears are decorated with beautiful Angus pheasant feathers to resemble the beauty and grace of a fighting cock. The art of cock fighting teaches them to recognize the vulnerability of individual warriors. This helps the warleader to select individual warriors to perform specific task in a war expedition, which, at times, would include death duel with enemy warriors. That is why cock-fighting is not only a favorite pastime, but it is also a school of thought that teaches chivalrous behavior (courteous and considerate behavior) associated with the spirit of Iban warriors. It also teaches the Iban about the natural behavior, character and instinct of different fighting cock as it’s coloration represented the type of fish, birds, animals and insect living in its natural environment; location of the sun for their active and inactive time, feeding time, playing time, rest time; river tide situation; etc. Cock fighting thus represented the Iban’s religious and personal ideal. It is certainly their unique way of life.

The period when the Ibans normally hold cock-fighting bouts is between the felling season and the time when the burning is approaching. In the past, this was known as the annual cock-fighting Season.

In the past, on the eve of a cock-fighting contest, leaders of the cock-fighting teams would ask two bards to sing renong (folk songs), one after another. The renong that they sang were the ones that were formerly prescribed for war expeditions. They mentioned Keling, Bunga Nuing and party who went on war expeditions against their archenemy, Apai Sabit Bekait. War expeditions are similar to cock-fighting contests. Therefore, whenever the Iban leaders wanted to go on war expeditions, they would ask the bards to sing the renong specifically prescribed for cock-fighting contests, following what Ensing Jara did when he held a cock-fighting bout against Ngerai and Niram from the land of the dead (sebayan). Whenever they sing the renong, mainly for cock-fighting bouts or war expeditions, they must prepare offerings because the supernatural being that used to go on war expeditions or held cock-fighting contests are all mentioned in their songs.

However, to the Ibans who adhere to the old customs, cock fighting does not bring them any harm. It is a traditional sports and if organized professionally, it will be good for the tourism industry which benefits the Dayak people. In the past, the cock-fighting session is the time they exchange views and contemplate various meaningful undertakings with each other. Through their conversation at the cock-fighting arena, a majority of them receive ideas on how to improve their methods of farming, gardening, trading and carrying out activities to raise their community standard of living.

The cunning ones do not indulge themselves too much in gambling and betting during cock-fighting bouts because they remember the advice of their elders on being thrifty. They are aware of the dangers of doing things irresponsibly which will not only reduce their families to destitution but create problems for their children after their deaths.

Nowadays, cocks fighting are being organized occasionally following a major festival, annual gawai Dayak festival and final death rites (ngetas ulit) to mark the end of mourning period. In the headhunting past, death rites was completed with the acquisition of fresh heads. Such practices of blood letting have been replaced with cock-fighting session. This beautiful tradition should be preserved and kept alive in a contemporary Iban society through a better-organized session, proper set of rules and better arena.

(additional*in Iban)

RUKUN SABONG

1. Mimpi rurus – Manah

2. Burong rurus – Manah

3. Bulu manok maioh bunoh – Ngeraup – Siti Bulu

4. Manok manah bintih – Kering sereta Silat

5. Tisik ngemudi ka bulu manok ti manah – Tuah

6. Ngangkat ka manok ngena hari – enggau atur

7. Saa manok enggau chukup – manah intu

8. Taji ka bulih – tajam

Lapan iti Rukun Sabong ti diterang ka datas nya, rukun sabong menang, enda bertuakal agi, tentu menang. Nya baru tau berani masang manok naka pemisi, tau dipasang nerima pasang besai.

Enti kita nyabong enda ngena rukun sabong datas nya, kita semina nyabong enggau buta-tuli, sapeneka ati aja, nyabong betuakal, nyabong nasit, nyabong ngapa, nyabong nadai penemu, nyabong nadai pelajar. Tampak bendar kitai enda nemu nyabong dipeda orang ti bisi ngembuan pelajar nyabong.

Enti udah belajar sereta nemu rukun sabong, nya baru tau nyatup orang nyabong sabarang maia lalu manok ke dibai kita ka gelanggang endang disadang menang. Baka kitai ka ngerja pengawa bukai, kitai mesti bisi petua, isharat enggau rukun awak ka pengawa kitai lurus pejalai. Nadai semua utai nyamai sereta mudah diulih kitai enti enda enggau petua, isharat enggau rukun. Kitai enda tau ngutuk diri empu enti alah kategal salah petua, isharat tauka rukun, laban penyalah nya endang penyalah kitai empu ti enda chukup pelajar tauka penyabar dalam pengawa nyabong.

Besabong ka manok tu baka pengawa kitai mensia ka bentaruh ka nyawa bebuti enggau pangan diri. Sapa alah, nya mati. Nya kabuah kitai enda tau enda betati ka tiap-tiap rukun sabong, enggai ka alah uti enggau pangan diri. Kelia, enti alah uti enggau pangan diri, ngagai ringka ga pemulai sida. Nya alai rukun sabong enda tau enda dipelajar awak ka enda lebu bebuti enggau pangan diri.

NGELALA BULU MANOK

Bansa kitai iban endang udah lama bisi panemu ngelala bulu manok. Ngelala bulu manok tu siti panemu sabong ti nyelai bendar enti dibanding enggau panemu bansa bukai ke sama bekunsi ka uti sabong bakatu. Bulu manok endang dikelala bansa iban nyemaka semua bansa utai ti idup (jelu, burong, ikan, indu utai enggau bansa utai tumboh) baik ka di dalam ai tauka di darat. Lalu pengangkat bulu manok mega ditemu kitai bansa nitih ka ulah, bunyi, gaya, pendiau enggau pemakai utai idup ti sabaka bulu enggau manok nya. Bakanya mega tuah manok ti dipeda kitai ba tuboh enggau ba tisik kaki manok sabong kitai. Tisik enggau tuah manok endang nitih ka pemai enggau gamal utai idup ti sabaka nama enggau bulu sida. Semua ulah enggau pendiau utai idup ti nyemaka enggau bulu manok endang dipelajar ka kitai Iban ngambi ka nemu maia hari sida kering, maia sida makai, maia sida diau, bansa utai di empa sida enggau maia ulah bukai. Semua utai tu endang bisi sangkut-paut enggau maia kitai nyabong manok sereta enggau sapa bulu manok ti disabong kitai nya ninggang pangan diri. Ari tuah enggau bulu manok, orang ke nemu nyabong endang nemu ni bagi manok ke bebintih nya tau dulu datai kaki ba lawan diri.

Bedudok ari pelajar sabong tu anak pungka lelaki Iban kelia endang udah diajar ngelala bulu manok kenyau ari sida iya agi biak. Sida mega diajar ngintu manok sabong ti aroh ati diri empu. Enti sida nyau udah nyadi ka manok sabong orang, sida nemu ngambu bulu manok sabong nyadi ka tanda pemerani sida tauka pengering bulu diri. Pengawa ngambu bulu manok sabong tu dikerja chara besumpah ngena darah munsoh ka udah didengah sida. Bulu manok sabong tu beguna bendar dikena miau enggau niki ka bala Raja Berani enggau Bujang Berani enti sida diambi ngerja pengawa gawai besai kitai bansa. Enti salah bulu manok dikena, pengawa sida tau sabau ngapa laban salah ripih pengawa lalu enda chukup intu. Utai baka tu tau ngemedis ka orang ka bempu pengawa. Nya kabuah ngadu enggau ngintu pengawa ba pengarap bansa kitai Iban pedis bendar enti nadai penemu ti chukup kena ngerja pengawa. Nya alai anak Iban enda tau enda nemu ngelala bulu manok, ukai semina dikena bebuti nyabong aja, tang mega ka penemu kena ngerja pengawa pengarap kitai bansa.

source: THE HOUSE OF SENGALANG BURONG

Monday, November 22, 2010

Rainbow in Pinnacle


Mulu National Park,Sarawak,Borneo

Sunday, November 21, 2010

Iban History

The origin of the name Iban is a mystery, although many theories exist. During the British colonial era, the Ibans were called Sea Dayaks. Some believe that the word Iban was an ancient original Iban word for people or man. The modern-day Iban word for people or man is mensia, a slightly modified Malay loan word of the same meaning (manusia) of Sanskrit Root.

The Ibans were the original inhabitants of Borneo Island. Like the other Dayak tribes, they were originally farmers, hunters, and gatherers. Not much is known about Iban people before the arrival of the Western expeditions to Asia. Nothing was ever recorded by any voyagers about them.

The Ibans were unfortunately branded for being pioneers of headhunting. Headhunting among the Ibans is believed to have started when the lands occupied by the Ibans became over-populated. In those days, before the arrival of western civilization, intruding on lands belonging to other tribes resulted in death. Confrontation was the only way of survival.

In those days, the way of war was the only way that any Dayak tribe could achieve prosperity and fortune. Dayak warfare was brutal and bloody, to the point of ethnic cleansing. Many extinct tribes, such as the Seru and Bliun, are believed to have been assimilated or wiped out by the Ibans. Tribes like the Bukitan, who were the original inhabitants of Saribas, are believed to have been assimilated or forced northwards as far as Bintulu by the Ibans. The Ukits were also believed to have been nearly wiped out by the Ibans.

The Ibans started moving to areas in what is today's Sarawak around the 15th century. After an initial phase of colonising and settling the river valleys, displacing or absorbing the local tribes, a phase of internecine warfare began. Local leaders were forced to resist the tax collectors of the sultans of Brunei. At the same time, Malay influence was felt, and Iban leaders began to be known by Malay titles such as Datu (Datuk), Nakhoda and Orang Kaya.

In later years, the Iban encountered the Bajau and Illanun, coming in galleys from the Philippines. These were seafaring tribes who came plundering throughout Borneo. However, the Ibans feared no tribe, and fought the Bajaus and Illanuns. One famous Iban legendary figure known as Lebor Menoa from Entanak, near modern-day Betong, fought and successfully defeated the Bajaus and Illanuns. It is likely that the Ibans learned seafaring skills from the Bajau and the Illanun, using these skills to plunder other tribes living in coastal areas, such as the Melanaus and the Selakos. This is evident with the existence of the seldom-used Iban boat with sail, called the bandung. This may also be one of the reasons James Brooke, who arrived in Sarawak around 1838, called the Ibans Sea Dayaks. For more than a century, the Ibans were known as Sea Dayaks to Westerners.

*source www.enotes.com

Saturday, November 20, 2010

Pirates of the Saribas

Who really were the pirates – the Rajah Brooke’s men or the fearsome natives of Saribas and Skrang? History books paint the Brookes as the good guys because they were the government while the other faction was made out to be the bad guys. But could it be that the natives, described as pirates were simply a bunch of patriotic souls trying to free their homeland from the clutches of the whites? Whether the so-called pirates of Skrang and Saribas are really pirates is an issue for historians to determine. The war basically came about because the Brookes were eager to expand their territories and the warriors of Skrang and Saribas were seen as a threat to their ambitions. It is possible that the natives were merely defending their territory against invasion by the Brookes. The fierce battle as a historic moment in the annals of Sarawak because its outcome determined who was in control of the State.
The bloody Battle of Beting Maro between the Rajah’s forces and the so-called pirates took place on July 31, 1849. On July 24 of that year, an expedition led by Rajah James Brooke comprising three steamers, seven men of war and 18 war canoes set sail from Kuching to ambush a fleet of Saribas and Skrang natives. They had heard that the natives had left Saribas two days earlier and headed north. The Rajah’s invading forces were determined to intercept the natives on their return. The British sailors were promised a bounty of 20 pounds for every pirate killed. On the evening of July 31, sentinel boats signaled the return of the natives, who fell into the trap. The ensuing battle lasted about five hours. Both sides shot at each other with guns and rockets. By midnight, everything was over, but a few native leaders managed to escape up the Saribas amidst the confusion. A few days later, the Rajah’s forces in a mopping up operation, burnt and destroyed longhouses and homes of the pirates on the Saribas river.
Acoording to the Rajah’s estimates, 300 “pirates” were killed out of 3,700 at the battle. Five hundred more died later of wounds, either trying to walk home or at the hands of the Rajah’s Iban allies. The Admiralty Court in Singapore later concluded that 2,140 “pirates” manning 88 boats took part in the battle of whom 500 were killed. The court awarded 20,700 pounds in bounty – 10,000 pounds for 500 pirates “destroyed” at 20 pounds per head, and 2,140 pirates “dispersed” at 5 pounds per head.

Friday, November 19, 2010

Augustine Anggat Ganjing: Basic Iban Design

The Ibans are one of the indigenous tribes of Borneo, one of
the Holy Lands for Tribal Tattoo devotees. If you are into Bor-
neo style tribal tattooing, I can wholeheartedly recommend a
visit to those shores: beautiful place, very nice people, and in
my experience nothing but positive reactions towards heavily
tattooed persons.

Ganjing's book has by many tattoo artists been labelled the
"Bible of Iban (Tattoo) Design". Very likely that this is true:
the subject is not widely written about in the first place.

"Basic Iban Design" does in its introduction recount the story
of how tattooing first arrived on the island of Borneo, but
only a small part of the book is specifically on Iban tattoo de-
signs. Though all the fabric, pottery, etc. patterns are defini-
tely more than just a little helpful in learning to understand
Iban Tattoo design, and one can easily see how they corre-
late to traditional Borneo tattooing; and vice versa.

Without a doubt, "Basic Iban Design" is a must-have for all
of you tribal tattoo aficionados out there.

This is, btw, one of the exclusive tattoo books that I carry.
I have so far not found "Basic Iban Design" anywhere but
in Borneo (not even on Malaysian Mainland; where in many
parts tattoos are usually frowned upon anyways).

Thursday, November 18, 2010

Borneoheadhunters Tattoo Studio

The first tattoo studio in Malaysia that provides world class and professional standard tattooing service, was founded in Kuching Sarawak in 1998. Borneo Headhunters Tattoo and Piercing Studio aims to promote the rich traditional art form of tattooing which has been an integral part of the Iban community for centuries. Tattoos played a very significant role in the lives of Ibans back then. Tattoos connected the living to the spiritual world and they were used to mark men's success in headhunting. For the womenfolk, their prowess in weaving and dancing was rewarded with befitting tattoos. Tattoos also helped ward off evil and disease. Ever since its conception, the studio has achieved many firsts for its founder, Ernesto Kalum. Its list of achievements and awards are listed below.

Achievements
1. Tattooing since 1992(bootleg); then professionally since 1998.
2. Invited to do a guest spot in England for a year in 1998 at one of the top tattoo studios in England.
3. Invited in 1999 to one of the most prestigious tattoo conventions in the world in Lausanne, Switzerland.
4. Organised an International Tattoo Convention in homeground Sarawak for the first time ever in South East Asia in May 2002 - "The 1st International Borneo Tattoo Convention, 1-5th May 2002".
5. Entered into the Sarawak Book of Records.
6. Won two H.R. Giger Awards for the Best Tribal Tattoo Category and Respect to the Culture Award in Lausanne, Switzerland in October 2001.
7. Being featured in National Geographic television as a subject in tattooing culture in the series "Taboo" in February 2003 and other television channels from countries such as Canada, England, France, German, Netherlands, Switzerland and USA.
8. Featured in the French magazine "Illustre" (Titled "Les Tatoueures De Borneo", Issue: No.43, 24th October 2001) and other magazines such as Malaysian Tatler and Tattoo Magazines.
9. Chosen as the tattoo and design advisor for The New Line Cinema film production "Sleeping Dictionary", directed by Guy Jenkins and starring Jessica Alba and Hugh Dancy.
10. Produced and managed Jerry Kamit's album "Semampai Sayau... Flora". On the 27th of March 2004, Jerry was awarded with two Honorable Awards at the Iban Music Awards (AJJAR) for the Most Popular Song and Best Vocal.

Awards
1.
1999 The 3rd Best of the Day during The 5th International Lausanne Tattoo Convention in Lausanne, Switzerland.
2.
1999
Respect Prize during The 5th International Lausanne Tattoo Convention in Lausanne, Switzerland.
3.
2001
Best Tribal 1st Prize during The 1st Annual Massachusetts Tattoo Festival in Boston, Massachusetts, U.S.A.
4.
2001
Best Tribal 2nd Prize during The 1st Annual Massachusetts Tattoo Festival in Boston, Massachusetts, U.S.A.
5.
2002
H.R.Giger Award 1st Prize during The 6th Lausanne International Tattoo Show in Lausanne, Switzerland.
6.
2002
H.R.Giger Award for the Respect to the Culture during The 6th Lausanne International Tattoo Show in Lausanne, Switzerland.
7.
2002
Best Celtic/Tribal 1st Prize during the Northern Ink Exposure in Toronto, Canada.
8.
2002
Best Celtic/Tribal 2nd Prize during the Northern Ink Exposure in Toronto, Canada.
9.
2002
Best Tribal 1st Prize during the Tattoo The Earth in Chicago, Illinois, U.S.A.
10.
2002
Best Tribal 2nd Prize during the Tattoo The Earth in Chicago, Illinois, U.S.A.
11.
2002
Best Tribal 2nd Prize during the Tattoo The Earth in Oakland, California, U.S.A.
12.
2002
Best Tribal 1st Prize during the Atlanta Tattoo Fest in Atlanta, Georgia, U.S.A.
13.
2002
Best Traditional 1st Prize during the Northern Ink Exposure in Toronto, Canada.
14.
2002
Best Traditional 2nd Prize during the Northern Ink Exposure in Toronto, Canada.

Wednesday, November 17, 2010

Borneoartifact

About Borneoartifact
Borneoartifact has built over twenty-five years of experience and source of the best discernable selections of Borneo ethnic crafts. Any recommended object you can find in borneoartifact.com is collectible for its special features, exceptional quality, uniqueness, creativity, expressive style, limited production, rarity and objects of rare or extraordinary ritual or sacred purposes. It takes very conscious pursuit with the best sources, to be able to get in touch with these collections.

Our creative design, products and art are represented worldwide through exhibitions for 25 years. Collectibles, artifacts, and important collections plus top quality pieces are strongly represented in various countries throughout the world. Collectors, architects, diplomats, designers, galleries, art professors, businessmen, hoteliers, resort management, consultants, companies, young professionals and inspired home makers as well as boutique fashion houses who have been enthusiasts in the quest had collected borneoartifact`s signature collections. Collecting is a wave as it has always been, and continues to be so because of the value and beauty in such collectibles.

*http://www.borneoartifact.com/